Asian & Pacific Islander Voices in Verse

This restored edition reflects Theresa Hak Kyung Cha’s original vision and intentions for Dictee, a foundational and unparalleled text of modern Asian American literature. Dictee is the best-known work of the multidisciplinary Korean American artist Theresa Hak Kyung Cha. This restored edition, produced in partnership with the Berkeley Art Museum and Pacific Film Archive (BAMPFA), reflects Cha’s original vision for the book. Featuring the original cover and high-quality reproductions of the interior layout as Cha intended them, this version of Dictee faithfully renders the book as an art object in its authentic form. A formative text of modern Asian American literature, Dictee is a dynamic autobiography that tells the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha’s mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself. Cha’s work manifests in nine parts structured around the Greek Muses. Deploying a variety of texts, documents, images, and forms of address and inquiry, Cha links these women’s stories to explore the trauma of dislocation and the fragmentation of memory it causes. The result is an enduringly powerful, beautiful, unparalleled work.

"A Lesser Love is a book of love poems and elegies for those who have fumbled and stumbled and disappointed. These are poems of love and departure for romantic partners, family members, even countries and communities. Raised around diasporic Korean communities, E. J. Koh has descibred her work as deeply influenced by the idea of jeong, which can be translated as a deep attachment, bond, and reciprocity for places, people, and things. This spirit of jeong permeates this book of poems that are astonishing in the connections they draw and the ties they bind. In A Lesser Love readers will find poems composed of “Ingredients for Memories that Can Be Used as Explosives” and poems composed of chemistry equations that convert light into “reasonable dioxide” and then further transmogrify the formula into a complex understanding of the parent-child relationship. A book of intimate poems that invite readers into a private world, that geography grows wider and more interconnected with each passing page. Through the eyes of mothers, fathers, daughters, aunts, friends, and lovers, we see the tragedy of a sinking ferry, they hypocrisies of government agencies, the aftermath of war, and a very wide view through the Hubble space telescope. With evocative lyricism and profound emotional intensity Koh has crafted a book of poems that charm and delight and profoundly enrich."--Amazon (Recommended by Caroline Kim, MFA KidLit '25)

"From National Poetry Series winner Su Cho, chosen by Paige Lewis, a debut poetry collection about immigration, memory, and a family's lexicon. Language and lore are at the core of The Symmetry of Fish, a moving debut about coming-of-age in the middle of nowhere. With striking and tender insight, it seeks to give voice to those who have been denied their stories, and examines the way phrases and narratives are passed down through immigrant families-not diluted over time, but distilled into potency over generations. In this way, a family's language is not lost but continuously remade, hitched to new associations, and capable of blooming anew, with the power to cut across space and time to unearth buried memories. The poems in The Symmetry of Fish insist that language is first and foremost a bodily act; even if our minds can't recall a word or a definition, if we trust our mouths, expression will find us-though never quite in the forms we expect"-- Provided by publisher. (Recommended by Gillian Lionberger, MFA Creative Writing '26)

"Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples. With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. They explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. Wrestling with the griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope""--Front dust jacket flap.

"“Blackacre” is a centuries-old legal fiction―a placeholder name for a hypothetical estate. Treacherously lush or alluringly bleak, these poems reframe their subjects as landscape, as legacy―a bereavement, an intimacy, a racial identity, a pubescence, a culpability, a diagnosis. With a surveyor’s keenest tools, Youn marks the boundaries of the given, what we have been allotted: acreage that has been ruthlessly fenced, previously tenanted, ploughed and harvested, enriched and depleted. In the title sequence, the poet gleans a second crop from the field of Milton’s great sonnet on his blindness: a lyric meditation on her barrenness, on her own desire―her own struggle―to conceive a child. What happens when the transformative imagination comes up against the limits of unalterable fact?" - from Amazon

Sharon Hashimoto explores themes of what is heard and misinterpreted, what is left unexplained, and what is passed down in The Crane Wife. In these pieces, the Sansei poet leafs through old photographs—one of which is of a newlywed couple with the groom’s image cut away. Here is the rediscovered piece of barbed wire from outside the Heart Mountain concentration camp. That wire, a lei, and a car trip to an empty lot are all bits of evidence. Her questions address grandparents, mother and father, siblings, and the next generation. Hashimoto also reinvents Japanese folk tales and explores the different voices of the members of a downed JAL jet. Her poems travel in new directions in an attempt to fill in the gaps. - from Amazon

"The mask has become emblematic of the 2020 pandemic. It is also an important symbol of Japanese classical culture and tradition, a central motif of Noh Theatre as well as Kabuki. For Terry Watada, the mask not only conceals but reveals hidden truths of the bearer. It is with this mind that he wrote the poems for The Mask. With a deep sense of grief, tragic loss and injury, and love and respect for family history, he expresses the isolation of the times, the vagaries of old age, and the mysteries of the mystical. The themes of immigrant realities, racism and elusive identity in Canadian society are embedded in the poems which utilize vivid imagery, minimal or untethered punctuation, and colourful use of language. All come together to express the reality of his life."-- Provided by publisher.

In her second collection of poems, Lee Ann Roripaugh probes themes of mixed-race female identities, evoking the molting processes of snakes and insects who shed their skins and shells as an ongoing metaphor for transformation of self. Intertwining contemporary renditions of traditional Japanese myths and fairy tales with poems that explore the landscape of childhood and early adolescence, she blurs the boundaries between myth and memory, between real and imagined selves. This collection explores cultural, psychological, and physical liminalities and exposes the diasporic arc cast by first-generation Asian American mothers and their second-generation daughters, revealing a desire for metamorphosis of self through time, geography, culture, and myth. - from Amazon

Out of the Dust is a collection of new poems by activist, leader, poet, and editor Janice Mirikitani. After being named San Francisco’s second Poet Laureate in 2000, this fifth book of poems from Mirikitani was written in response to the terrorist attacks on September 11, 2001. Drawing from her own background as a Sansei (third generation) Japanese American, Mirikitani reflects on the many ways we connect through the dust and our ability to rise and renew ourselves from this place. From the dust of the World Trade Center in New York to the retaliatory ashes of the dead in America’s war in Afghanistan, the poems in this volume seek to explicate the connections of our humanity to the reactionary profiling of people of Middle Eastern descent and different ethnicities, comparing these choices to the incarceration of Japanese Americans during World War II. Mirikitani’s poems cover topics about rape, incest, the continued struggle for justice and economic equality, and the poet’s experiences throughout her 50-year career at Glide Foundation and Church in San Francisco, where she has helped to create groundbreaking programs for the poor, women and children, and those who are healing from sexual assault, violence and abuse. Though constructed from a depth of experiences with struggle, these poems also erupt in celebration of marriage, daughters, and the discovery of self through diversity.

"Born on an island off the cost of Hiroshima around 1908, Midori Shimoda died in North Carolina in 1996, after suffering from Alzheimer's disease for two decades. A photographer, he was incarcerated in a Department of Justice prison during WWII under suspicion of being a spy for Japan. From his birth to contract laborer/picture-bride parents to his immigration and prewar life in Seattle's Nihonmachi, to wartime incarceration and postwar resettlement in New York City, his is a story of a man and a family vying for the American dream earnestly, but not without some bitterness. Poet Brandon Shimoda has crafted a lyrical-collage portrait of a grandfather he barely knew, and a moving meditation on memory and forgetting. The book begins with Midori's first memory (washing the feet of his own grandfather's corpse) and ends with the author's last memory of him. In between are vignettes of camellia blossoms, picture brides, suicidal monks, ancestral fires, great-grandmothers, bathhouses, atomic bomb survivors, paintings, photographs, burial mounds, golden pavilions, and dementia. In a series of pilgrimages he makes, from his own home in the Arizona desert to the family's ancestral village in Japan, to a Montana museum of WWII detention where he discovers a previously unknown photographic portrait of his grandfather, Shimoda records the search to find his grandfather--and therefore himself"-- Provided by publisher.

Acclaimed poet Li-Young Lee offers a revelatory volume of ecstatic poems that search out divine voices in the silences of life, love, and death. “The poet of rapture and tenderness” (Major Jackson, American Poets), Li-Young Lee speaks these poems with the intimacy and primacy of a whisper, as if from a lover to a beloved, or a believer to God. Each poem in The Invention of the Darling is a mysterious conjunction of spirit and matter, movement and stillness, the divine and the mundane, the sacred and the forbidden. They yearn for holistic union with The Beloved, every sentence another name for The Beloved, every poem another way to say “I love you.” Forged in awe of life and love, these poems emerge from the unlit depths of our earthly, material desires and our deepest fears of mortality. - from the Publisher

With Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poems ear toward a confluence of history, labor, and languages, while also enacting a kind of "telephone" between cultures. Invested in the circuitry and circuitous routes of migration and labor, Soms lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwiseone attuned to the echo in the hecho, the oracle in the órale.

helley Wong's debut, As She Appears, foregrounds queer women of color in their being and becoming. Following the end of a relationship that was marked by silence, a woman crosses over and embodies the expanse of desire and self-love. Other speakers transform the natural world and themselves, using art and beauty as a means of sanctuary and subversion. With both praise and precision, Wong considers how women inhabit and remake their environment. The ecstatic joys of Pride dances and late-night Chinatown meals, conversations with Frida Kahlo, trees that "burst into glamour," and layers of memory permeate these poems as they travel through suburban California, perfumed fashion runways, to a Fire Island summer. Wong writes in the space where so many do not appear as an invitation for queer women of color to arrive in love, exactly as they are.

"Shaped around moments of puncture and release, The Rupture Tense registers what leaks across the breached borders between past and future, background and foreground, silence and utterance. In polyphonic and formally restless sequences, Jenny Xie cracks open reverberant, vexed experiences of diasporic homecoming, intergenerational memory transfer, state-enforced amnesia, public secrecies, and the psychic fallout of the Chinese Cultural Revolution. Across these poems, memory--historical, collective, personal--stains and erodes. Xie voices what remains irreducible in our complex entanglements with familial ties, language, capitalism, and the histories in which we find ourselves lodged."-- Provided by Amazon.

"The poems in The Sunflower Cast A Spell To Save Us From The Void read like dispatches from the dream world, with Jackie Wang acting as our trusted comrade reporting across time and space. By sharing her personal index of dreams with its scenes of solidarity and resilience, interpersonal conflict and outlaw jouissance, Wang embodies historical trauma and communal memory. Here, the all-too-familiar interplay between crisis and resistance becomes first distorted, then clarified and refreshed. With a light touch and invigorating sense of humor, Wang illustrates the social dimension of dreams and their ability to inform and reshape the dreamer's waking world with renewed energy and insight."-- Publisher's description

In her stunning second collection, Carlina Duan illuminates unabashed odes to lineage, small and sacred moments of survival, and the demand to be fully seen “spangling with light.” Tracing familial lore and love, Duan reflects on the experience of growing up as a diasporic, bilingual daughter of immigrants, exploring the fraught complexities of identity, belonging, and linguistic reclamation. Alien Miss brings forth beautifully powerful voices: immigrants facing the Chinese Exclusion Act, the first Chinese American woman to vote, and matriarchal ancestors. The poems in this ambitious collection are immersed in the knotted blood of sisterhood, both celebrating and challenging conceptions of inheritance and homeland. - from Amazon

"An unabashed exploration of queerness, excess, identity, and tenderness from award-winning poet Dorothy Chan. The speaker in Dorothy Chan's fifth collection, Return of the Chinese Femme, walks through life fearlessly, "forehead forever exposed," the East Asian symbol of female aggression. She's the troublemaker protagonist-the "So Chinese Girl"-the queer in a family of straights- the rambunctious ringleader of the girl band, always ready with the perfect comeback, wearing a blue fur coat, drinking a whiskey neat. They indulge on the themes of food, sex, fantasy, fetish, popular culture, and intimacy. Chan organizes the collection in the form of a tasting menu, offering the reader a taste of each running theme. Triple sonnets, recipe poems, and other inventive plays on diction and form pepper the collection. Amidst the bravado, Return of the Chinese Femme represents all aspects of her identity-Asian heritage, queerness, kid of immigrants' story-in the most real ways possible, conquering the world through joy and resilience"-- Provided by publisher.

A debut poetry collection in which non-binary poet and drag performer Wo Chan recounts stories from their queer childhood and adolescence.

Togetherness sends out sparks from its electric surface, radiating energy and verve from within its deep and steady emotional core: stories of the poet’s immigrant childhood spent in their family’s Chinese restaurant, culminating in a deportation battle against the State. These narrative threads weave together monologue, soaring lyric descants, and document, taking the positions of apostrophe, biography, and soulful plaint to stage a vibrant and daring performance in which drag is formalism and formalism is drag—at once campy and sincere, queer, tender, and winking.