Breaking Barriers: A Celebration of Muslim Voices

"Isma is free. After years spent raising her twin siblings in the wake of their mother's death, she is finally studying in America, resuming a dream long deferred. But she can't stop worrying about Aneeka, her beautiful, headstrong sister back in London - or their brother, Parvaiz, who's disappeared in pursuit of his own dream: to prove himself to the dark legacy of the jihadist father he never knew. Then Eamonn enters the sisters' lives. Handsome and privileged, he inhabits a London worlds away from theirs. As the son of a powerful British Muslim politician, Eamonn has his own birthright to live up to - or defy. Is he to be a chance at love? The means of Parvaiz's salvation? Two families' fates are inextricably, devastatingly entwined, in this searing novel that asks: what sacrifices will we make in the name of love? A contemporary reimagining of Sophocles' Antigone, "Home Fire" is an urgent, fiercely compelling story of loyalties torn apart when love and politics collide - confirming Kamila Shamsie as a master storyteller of our times." -- from publisher's web site.

"Intrigue and subterfuge combine with bad luck and good in this darkly comic debut about love, betrayal, tyranny, family, and a conspiracy trying its damnedest to happen. Ali Shigri, Pakistan Air Force pilot and Silent Drill Commander of the Fury Squadron, is on a mission to avenge his father's suspicious death, which the government calls a suicide. Ali's target is none other than General Zia ul-Haq, dictator of Pakistani. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known." -- from publisher's web site.

"Year Eleven at an exclusive prep school in the suburbs of Melbourne, Australia, would be tough enough, but it is further complicated for Amal when she decides to wear the hijab, the Muslim head scarf, full-time as a badge of her faith--without losing her identity or sense of style."-- from publisher's web site.

"Aaliya Sohbi lives alone in her Beirut apartment, surrounded by stockpiles of books. Godless, fatherless, childless, and divorced, Aaliya is her family's 'unnecessary appendage.' Every year, she translates a new favorite book into Arabic, then stows it away. The thirty-seven books that Aaliya has translated over her lifetime have never been read-- by anyone. After overhearing her neighbors, 'the three witches,' discussing her too-white hair, Aaliya accidentally dyes her hair too blue. In this breathtaking portrait of a reclusive woman's late-life crisis, readers follow Aaliya's digressive mind as it ricochets across visions of past and present Beirut. Colorful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and Aaliya's own volatile past. As she tries to overcome her aging body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left" -- from publisher's web site.

"In this heartrending debut, Fatimah Asghar traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of her parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her "crybaby" younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms. As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency she's known or carve out a new path for herself. WHEN WE WERE SISTERS tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who've lost everything might still make homes in each other"-- Provided by publisher.

"Bitter Orange Tree is a profound exploration of social status, wealth, desire, and female agency by Jokha Alharthi. It presents a mosaic portrait of one young woman's attempt to understand the roots she has grown from, and to envisage an adulthood in which her own power and happiness might find the freedom necessary to bear fruit and flourish. Zuhour, an Omani student at a British university, is caught between the past and the present. As she attempts to form friendships and assimilate in Britain, she can't help but ruminate on the relationships that have been central to her life. Most prominent is her strong emotional bond with Bint Amir, a woman she always thought of as her grandmother, who passed away just after Zuhour left the Arabian Peninsula. As the historical narrative of Bint Amir's challenged circumstances unfurls in captivating fragments, so too does Zuhour's isolated and unfulfilled present, one narrative segueing into another as time slips and dreams mingle with memories"-- Provided by publisher.

"From a dazzling new literary voice, a debut novel about a Palestinian family caught between present and past, between displacement and home ... On the eve of her daughter Alia's wedding, Salma reads the girl's future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel, and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is up rooted in the wake of the Six-Day War of 1967. Salma is forced to leave her home in Nablus; Alia's brother gets pulled into a politically militarized world he can't escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home, their land, and their story as they know it, scattering to Beirut, Paris, Boston, and beyond. Soon Alia's children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities. Lyrical and heartbreaking, Salt Houses is a remarkable debut novel that challenges and humanizes an age-old conflict we might think we understand--one that asks us to confront that most devastating of all truths: you can't go home again"-- Provided by publisher.

"Assia Djebar, one of the most distinguished woman writers to emerge from the Arab world, wrote Children of the New World following her own involvement in the Algerian resistance to colonial French rule. Like the classic film The Battle of Algiers--enjoying renewed interest in the face of world events--Djebar's novel sheds light on current world conflicts as it reveals a determined Arab insurgency against foreign occupation, from the inside out. However, Djebar focuses on the experiences of women drawn into the politics of resistance. Her novel recounts the interlocking lives of women in a rural Algerian town who find themselves joined in solidarity and empower each other to engage in the fight for independence. Narrating the resistance movement from a variety of perspectives--from those of traditional wives to liberated students to political organizers--Djebar powerfully depicts the circumstances that drive oppressed communities to violence and at the same time movingly reveals the tragic costs of war. This description may be from another edition of this product." --Provided by publisher.

"Leila Aboulela's American debut is a provocative, timely, and engaging novel about a young Muslim woman -- once privileged and secular in her native land and now impoverished in London -- gradually embracing her orthodox faith. With her Muslim hijab and down-turned gaze, Najwa is invisible to most eyes, especially to the rich families whose houses she cleans in London. Twenty years ago, Najwa, then at university in Khartoum, would never have imagined that one day she would be a maid. An upper-class Westernized Sudanese, her dreams were to marry well and raise a family. But a coup forces the young woman and her family into political exile in London. Soon orphaned, she finds solace and companionship within the Muslim community. Then Najwa meets Tamer, the intense, lonely younger brother of her employer. They find a common bond in faith and slowly, silently, begin to fall in love. Written with directness and force, Minaret is a lyric and insightful novel about Islam and an alluring glimpse into a culture Westerners are only just beginning to understand." -- Provided by publisher.

"Syrian immigrant Khadra Shamy is growing up in a devout, tightly knit Muslim family in 1970s Indiana, at the crossroads of bad polyester and Islamic dress codes. Along with her brother Eyad and her African-American friends, Hakim and Hanifa, she bikes the Indianapolis streets exploring the fault-lines between "Muslim" and "American." When her picture-perfect marriage goes sour, Khadra flees to Syria and learns how to pray again. On returning to America she works in an eastern state -- taking care to stay away from Indiana, where the murder of her friend Tayiba's sister by Klan violence years before still haunts her. But when her job sends her to cover a national Islamic conference in Indianapolis, she's back on familiar ground: Attending a concert by her brother's interfaith band The Clash of Civilizations, dodging questions from the "aunties" and "uncles," and running into the recently divorced Hakim everywhere." -- Provided by publisher.

"Zari Zoon, a vivacious girl from Kashmir, is looking forward to marrying her fianc when tragedy strikes. Next thing she knows, she is on a plane to America to stay with the Nabis, distant family relatives, who have offered to give her a temporary home to help her stitch back the tatters of her life ..." -- Provided by publisher.

"Misbah is a dreamer and storyteller, newly married to Toufiq in an arranged match. After their young life is shaken by tragedy, they come to the United States and open the Clouds' Rest Inn Motel, hoping for a new start. Juniper, California. Now. Salahudin and Noor are more than best friends; they are family. Growing up as outcasts in the small desert town of Juniper, California, they understand each other the way no one else does. Until The Fight, which destroys their bond with the swift fury of a star exploding. Now, Sal scrambles to run the family motel as his mother Misbah's health fails and his grieving father loses himself to alcoholism. Noor, meanwhile, walks a harrowing tightrope: working at her wrathful uncle's liquor store while hiding the fact that she's applying to college so she can escape him--and Juniper--forever. When Sal's attempts to save the motel spiral out of control, he and Noor must ask themselves what friendship is worth--and what it takes to defeat the monsters in their pasts and the ones in their midst. From one of today's most cherished and bestselling young adult authors comes a breathtaking novel of young love, old regrets, and forgiveness--one that's both tragic and poignant in its tender ferocity." -- Provided by publisher.

"An epic tale of fathers and sons, of friendship and betrayal, that takes us from Afghanistan in the final days of the monarchy to the atrocities of the present day. The unforgettable, heartbreaking story of the unlikely friendship between a wealthy Afghan youth and the son of his father's servant, The Kite Runner is a beautifully crafted novel set in a country that is in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption. It is also about the power of fathers over sons: their love, their sacrifices, and their lies." -- Provided by publisher.

"After September 11, 2001, the Global War on Terror has made clear that Islam and Muslims are central to an imperial system of racism. Prior to 9/11, white supremacy has always had a violent relationship of dominance to Islam and Muslims. Racism against Muslims today borrows from centuries of white supremacy and is a powerful and effective tool to maintain the status quo. With Stones in Our Hands compiles writings by scholars and activists who are leading the struggle to understand and combat anti-Muslim racism. Through a bold call for a politics of the Muslim Left and the poetics of the Muslim International, this book offers a glimpse into the possibilities of social justice, decolonial struggle, and political solidarity. The essays in this anthology reflect a range of concerns that capture the contemporary moment such as anti-Muslim racism, the settler colonial occupation of Palestine, surveillance and policing, blackness and radical protest traditions, militarism and empire building, social movements, and political repression. The inaugural volume in the new series Muslim International, With Stones in Our Hands offers new ideas to achieve decolonization and global solidarity"-- Provided by publisher.

"Mariam and Laila are born a generation apart but are brought together by war and fate. Together they endure the dangers surrounding them and discover the power of both love and sacrifice." -- Provided by publisher.

"A chance encounter on a plane throws together Doha, a fashion designer unhappily married to a leading figure in the Mubarak regime, and Ashraf, an academic and leading dissident. The story of their relationship and Doha's self-discovery runs alongside a young Egyptian's search for the mother he never knew, and these intersecting narratives unfold against the background of political protests that culminate in the overthrow of the regime.A moving and at times humorous story, Butterfly Wings is an extended allegory of Egypt's modern experience of authoritarian rule." -- Provided by publisher.

"The goal with this anthology is to represent that full range of contemporary expressions of Islam, as well as a full range of genres-poetry, fiction, essay, memoir, political writing, cultural writing, and of course plenty of texts which mix and match and blur all of these modes . . . the trajectories between the pieces-like that of kismet-will be multiple, nonlinear, abstract. The Muslim community is plural and contradictory. This collection of voices ought to be symphony and cacophony at once, like the body of Muslims as they are today."-Kazim Ali"-- Provided by publisher.

"Through his lyrical translations, Coleman Barks has been instrumental in bringing this exquisite literature to a remarkably wide range of readers, making the ecstatic, spiritual poetry of thirteenth-century Sufi Mystic Rumi more popular than ever. The Essential Rumi continues to be the bestselling of all Rumi books, and the definitive selection of his beautiful, mystical poetry." -- Provided by publisher.

"The collected poems dispel the notion that there is one correct way to be a Muslim by holding space for multiple, intersecting identities while celebrating and protecting those identities." -- Provided by publisher

"Registers of Illuminated Villages is Tarfia Faizullahs highly anticipated second collection, following her award-winning debut, Seam. Faizullahs new work extends and transforms her powerful accounts of violence, war, and loss into poems of many forms and voices elegies, outcries, self-portraits, and larger-scale confrontations with discrimination, family, and memory." -- Provided by publisher.

"This imaginative, soulful debut poetry collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the man facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people's histories with her own understanding of identity, place, and belonging."-- From publisher's description.

"In Islam prayer is not transactional, poetry is not divorced from the quotidian and portraiture is embraced only in the abstract. And yet here in Kaveh Akbar's book, entreaty is earnest, aimed at the human and particular more often than the divine but at the same time the language and form elevate themselves to the fevered register of desperation. Yes, sure, fine, you would think that a Muslim writing about being a drunk would have to adopt unconventional approaches, but drunkenness in the Islamic literary tradition is a long and time-honored metaphor. For what? Abandonment to God, a cessation of the self--but not so here; no. Here it's real, it's coarse, it's dangerous. The reason we Muslims do not pray for things is that it is similarly dangerous for one to call God's attention onto oneself. But for Kaveh Akbar, whose very name means 'poetry, ' it is a risk every poem takes with gusto. And speaking purely for myself, these poems give me life because 'for so long every step I've taken/ has been from one tongue to another.' Be careful, little brother. God's got His eye on you now." -- Back cover.

"Spanning the collapse of Ottoman rule and the British Mandate in Palestine, this is the story of three generations of a defiant family from the Palestinian village of Hadiya before 1948. Through the lives of Mahmud, elder of Hadiya, his son Khaled, and Khaled’s grandson Naji, we enter the life of a tribe whose fate is decided by one colonizer after another. Khaled’s remarkable white mare, Hamama, and her descendants feel and share the family’s struggles and as a siege grips Hadiya, it falls to Khaled to save his people from a descending tyranny." -- Provided by publisher.

"The fable of the Emperor's New Clothes is a classic example of a conspiracy of silence, a situation where everyone refuses to acknowledge an obvious truth. But the denial of social realities -- whether incest, alcoholism, corruption, or even genocide -- is no fairy tale. In this book, the author sheds new light on the social and political underpinnings of silence and denial -- the keeping of "open secrets." The author shows that conspiracies of silence exist at every level of society, ranging from small groups to large corporations, from personal friendships to politics. Drawing on examples from newspapers and comedy shows to novels, children's stories, and film, the book travels back and forth across different levels of social life, and from everyday moments to large-scale historical events. At its core, the book helps us understand why we ignore truths that are known to all of us. The author shows how such conspiracies evolve, illuminating the social pressures that cause people to deny what is right before their eyes. We see how each conspirator's denial is symbiotically complemented by the others, and we learn that silence is usually more intense when there are more people conspiring -- and especially when there are significant power differences among them. He concludes by showing that the longer we ignore "elephants," the larger they loom in our minds, as each avoidance triggers an even greater spiral of denial. Social life in families, organizations, communities and even entire nations is full of situations where the emperor has no clothes. The book illuminates the dynamics behind these situations, revealing why we ignore obvious and alarming realities." -- Provided by publisher.

"Living Our Religions sheds important light on the lives of Hindu and Muslim American women of South Asian origin. As the authors reveal their diverse and culturally dynamic religious practices, describe the race, gender, and ethnic boundaries that they encounter, and document how they resist and challenge these boundaries, they cut through the myths and ethnocentrism of popular portrayals to reveal the vibrancy, courage, and agency of an "invisible" minority." -- Provided by publisher.

"A compelling portrait of a group of boys as they navigate the complexities of being both American teenagers and good MuslimsThis book provides a uniquely personal look at the social worlds of a group of young male friends as they navigate the complexities of growing up Muslim in America. Drawing on three and a half years of intensive fieldwork in and around a large urban mosque, John O'Brien offers a compelling portrait of typical Muslim American teenage boys concerned with typical teenage issues-girlfriends, school, parents, being cool-yet who are also expected to be good, practicing Muslims who don't date before marriage, who avoid vulgar popular culture, and who never miss their prayers.Many Americans unfamiliar with Islam or Muslims see young men like these as potential ISIS recruits. But neither militant Islamism nor Islamophobia is the main concern of these boys, who are focused instead on juggling the competing cultural demands that frame their everyday lives. O'Brien illuminates how they work together to manage their "culturally contested lives" through subtle and innovative strategies-such as listening to profane hip-hop music in acceptably "Islamic" ways, professing individualism to cast their participation in communal religious obligations as more acceptably American, dating young Muslim women in ambiguous ways that intentionally complicate adjudications of Islamic permissibility, and presenting a "low-key Islam" in public in order to project a Muslim identity without drawing unwanted attention.Closely following these boys as they move through their teen years together, Keeping It Halal sheds light on their strategic efforts to manage their day-to-day cultural dilemmas as they devise novel and dynamic modes of Muslim American identity in a new and changing America." -- Provided by publisher.

"In this powerful book, Dr. Maha Hilal tells the story of two decades of the War on Terror, through both an overview of the policies created under its umbrella and the lived realities of Muslim Americans who have experienced hate and discrimination as a result." -- Provided by publisher.

"The first volume in the Muslim Civilisations Abstracts series is a reference catalogue of 200 annotated bibliographies and abstracts of encyclopedias published during the nineteenth, twentieth and twenty-first centuries. Material has been made available in English, Arabic and Turkish. Volumes in the series seek not only to represent the diversity of Muslim societies, but also to create access to and reinforce communication between scholars and institutions across Muslim contexts; where the sharing of knowledge and information has often been hindered due to language barriers." -- Provided by publisher.

"In 2014, award-winning journalist Reni Eddo-Lodge wrote on her blog about her frustration with the way that discussions of race and racism in Britain were being led by those who weren't affected by it. Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanised, she decided to dig into the source of these feelings. Exploring issues from eradicated black history to the inextricable link between class and race, Reni Eddo-Lodge has written a searing, illuminating, absolutely necessary examination of what it is to be a person of colour in Britain today" -- Provided by publisher.

"This book traces the evolution of organisational activism among Muslim women in India. It deconstructs the 'Muslim woman' as the monolith based on tropes like purdah, polygamy, and tin talaq and compels the reader to revisit the question of Muslim women's individual and collective agency. The book argues that the political field, along with religion, moulds the nature and scope of Muslim women's activism in India. It looks at the objectives of four Muslim women's organisations: the Bazm-e-Niswan, the Awaaz-e-Niswaan, the Bharatiya Muslim Mahila Andolan and the India International Women's Alliance (IIWA), in close interaction with the political landscape of Mumbai. The book explores the emergence of gender-inclusive interpretation of Muslim women's rights by Muslim women activists and challenges the dominant and reductionist stereotypes on Muslim women, community, and absolutist ideas of Islam. It argues that Muslim women are not passive victims of their culture and religion, rather they can develop a critique of their marginality and subjugation from within the community. Revisiting Muslim Women's Activism traces the evolution of a community-centric approach in women's activism and records a fragmented view on women's rights from within the community and religious leadership. It also delineates the distinctiveness of this activism that considers religion and culture as resources for empowerment and as sites of contestations. Moreover, the book documents the narratives of Muslim women's struggle and resistance from their location and lived experiences. It will be of interest to students and researchers of women's studies, gender studies, political science, sociology, anthropology, law, and Islamic studies." -- Provided by publisher.

"In the global south, women have and continue to resist multiple forms of structural violence. The atrocities committed against Yazidi women by ISIS have been recognized internationally, and the Nobel Peace Prize awarded to Nadia Murad in 2018 was a tribute to honor women whose bodies have been battered in the name of race, nationality, war, and religion. In the Crossfire of History:Women's War Resistance Discourse in the Global South is an edited collection that incorporates literary works, testimonies, autobiographies, women's resistance movements, and films that add to the conversation on the resilience of women in the global south. The collection focuses on Palestine, Kashmir, Syria, Kurdistan, Congo, Argentina, Central America, Sri Lanka, and Bangladesh. The essays question historical accuracy and politics of representation that usually undermine women's role during conflict, and they reevaluate how women participated, challenged, sacrificed, and vehemently opposed war discourses that erase women's role in shaping resistance movements. The transformative mode of these examples expands the definition of heroism and defiance. To prevent these types of heroism from slipping into the abyss of history, this collection brings forth and celebrates women's fortitude in conflict zones. In the Crossfire of History shines a light on women across the globe who are resisting the sociopolitical and economic injustices in their nation-states"-- Provided by publisher.

"Taking a transnational approach, this book challenges the belief that the Muslim world is unrelentingly antifeminist. The author challenges assumptions about inevitable civilizational antagonism between the "West" and the "Muslim world," a notion that has become increasingly popular in recent decades, and of a lag in the emergence of feminism in the latter. While it shouldn't be controversial to insist that male bias and privilege are present in Western as well as in Muslim-majority societies, it is more difficult to show how and why efforts to improve women's lives in even these geographically distant parts of the world have long been interconnected and interdependent. Sisters in the Mirror is a feminist story about how changing global and local power disparities-between Europeans and Bengalis, between Brahmos, Hindus, and Muslims within Bengal, between feminists of the global North and South, and between Western and Muslim feminists-have shaped ideas about change in women's lives and also the strategies by which to enact change. With the lasting shift in the balance of economic, political, and military power between Muslim and Euro-American nations toward the latter since the eighteenth century, Muslim advocates for women's rights have had to define their agendas for reform in the shadow of Western imperial and economic power. The stories in this book show that no society has a monopoly on ideas about justice and fairness (in the matter of women's or any other group's rights) or, for that matter, on male bias, violence, and injustice; no community is isolated or pure; and people everywhere are enriched by open-minded encounters with people who eat, dress, and pray differently, or don't pray at all"-- Provided by publisher.

"For Sylvia Chan-Malik, Muslim womanhood is constructed through everyday and embodied acts of resistance, what she calls affective insurgency. In negotiating the histories of anti-Blackness, U.S. imperialism, and women's rights of the twentieth and twenty-first centuries, Being Muslim explores how U.S. Muslim women's identities are expressions of Islam as both Black protest religion and universal faith tradition. Through archival images, cultural texts, popular media, and interviews, the author maps how communities of American Islam became sites of safety, support, spirituality, and social activism, and how women of color were central to their formation. By accounting for American Islam's rich histories of mobilization and community, Being Muslim brings insight to the resistance that all Muslim women must engage in the post-9/11 United States. From the stories that she gathers, Chan-Malik demonstrates the diversity and similarities of Black, Arab, South Asian, Latina, and multiracial Muslim women, and how American understandings of Islam have shifted against the evolution of U.S. white nationalism over the past century. In borrowing from the lineages of Black and women-of-color feminism, Chan-Malik offers us a new vocabulary for U.S. Muslim feminism, one that is as conscious of race, gender, sexuality, and nation, as it is region and religion."--Publisher description.

"This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, "Muslim Cool." Muslim Cool is a way of being an American Muslim-displayed in ideas, dress, social activism in the 'hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic U.S. Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between "Black" and "Muslim." Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are "foreign" to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested-critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States." --Provided by publisher.

""There has never been an America without Muslims"--so begins Amir Hussain, one of the most important scholars and teachers of Islam in America. Hussain, who is himself an American Muslim, contends tat Muslims played an essential role in the creation and cultivation of the United States. In Muslims and the Making of America, Hussain directly address the stereotypes of Muslims following 9/11 and terrorism. Far from undermining America, Islam and Americaqn Muslims have been, and continue to be, important threads in the fabric of American Life. Hussain chronicles the history of Islam in American to underscore the valuable cultural influence of Muslims on American Life. He then rivets attention on music, sports, and culture as key areas in which Muslims have shaped and transformed American Identity. American, Hussain concludes, would not exist as it does today without the essential contributions made by its Muslim citizens." -- Provided by publisher.

"Yasmin Khan unlocks the flavors and fragrances of modern Palestine, from the sun-kissed pomegranate stalls of Akka, on the coast of the Mediterranean Sea, through evergreen oases of date plantations in the Jordan Valley, to the fading fish markets of Gaza City. Palestinian food is winningly fresh and bright, centered around colorful mezze dishes that feature the region’s bountiful eggplants, peppers, artichokes, and green beans; slow-cooked stews of chicken and lamb flavored with Palestinian barahat spice blends; and the marriage of local olive oil with earthy za’atar, served in small bowls to accompany toasted breads. It has evolved over several millennia through the influences of Arabic, Jewish, Armenian, Persian, Turkish, and Bedouin cultures and civilizations that have ruled over, or lived in, the area known as ancient Palestine. In each place she visits, Khan enters the kitchens of Palestinians of all ages and backgrounds, discovering the secrets of their cuisine and sharing heartlifting stories." -- Published by producer.

"In No god but God, internationally acclaimed scholar Reza Aslan explains Islam—the origins and evolution of the faith—in all its beauty and complexity. This updated edition addresses the events of the past decade, analyzing how they have influenced Islam’s position in modern culture. Aslan explores what the popular demonstrations pushing for democracy in the Middle East mean for the future of Islam in the region, how the Internet and social media have affected Islam’s evolution, and how the war on terror has altered the geopolitical balance of power in the Middle East. He also provides an update on the contemporary Muslim women’s movement, a discussion of the controversy over veiling in Europe, an in-depth history of Jihadism, and a look at how Muslims living in North America and Europe are changing the face of Islam. Timely and persuasive, No god but God is an elegantly written account that explains this magnificent yet misunderstood faith." -- Produced by publisher.

"Haroon Moghul was first thrust into the spotlight after 9/11, as an undergraduate leader at New York University's Islamic Center. Suddenly, he was making appearances everywhere: on TV, talking to interfaith audiences, combating Islamophobia in print. He was becoming a prominent voice for American Muslims. Privately, Moghul had a complicated relationship with Islam. In high school he was barely a believer and entirely convinced he was going to hell. He sometimes drank. He didn't pray regularly. All he wanted was a girlfriend. But as Haroon discovered, it wasn't so easy to leave religion behind. To be true to himself, he needed to forge a unique American Muslim identity that reflected his own beliefs and personality. How to Be a Muslim is the story of a young man coping with the crushing pressure of a world that shuns and fears Muslims, struggling with his faith and searching for intellectual forebears, and suffering the onset of bipolar disorder. This is the story of the second-generation immigrant, of what it's like to lose yourself between cultures, and how to pick up the pieces." -- Published by producer.

"Does Islam call for the oppression of women? Non-Muslims point to the subjugation of women that occurs in many Muslim countries, especially those that claim to be "Islamic," while many Muslims read the Qur’an in ways that seem to justify sexual oppression, inequality, and patriarchy. Taking a wholly different view, Asma Barlas develops a believer’s reading of the Qur’an that demonstrates the radically egalitarian and antipatriarchal nature of its teachings. Beginning with a historical analysis of religious authority and knowledge, Barlas shows how Muslims came to read inequality and patriarchy into the Qur’an to justify existing religious and social structures and demonstrates that the patriarchal meanings ascribed to the Qur’an are a function of who has read it, how, and in what contexts. She goes on to reread the Qur’an’s position on a variety of issues in order to argue that its teachings do not support patriarchy. To the contrary, Barlas convincingly asserts that the Qur’an affirms the complete equality of the sexes, thereby offering an opportunity to theorize radical sexual equality from within the framework of its teachings. This new view takes readers into the heart of Islamic teachings on women, gender, and patriarchy, allowing them to understand Islam through its most sacred scripture, rather than through Muslim cultural practices or Western media stereotypes." -- Produced by publisher.

"When Jenny Jones and her three children move from their Washington home to that of Jenny's in-laws in the West Bank, the village of Safa seems like a haven. Sheltered from much of the area's troubles, Jenny considers the village to be the ideal place for her children to explore a part of their identity they deserved to know more about.In spite of its pastoral charm, Safa is far more complex than Jenny had imagined. On top of dealing with inter-tribal battles, military round-ups, and nighttime raids, Jenny has to deal with her in-laws and day-to-day difficulties caused by her less than eloquent" -- Published by producer.

"While 9/11 and its aftermath created a traumatic turning point for most of the writers in this book, it is telling that none of their essays begin with that moment. These young people were living, probing, and shifting their Muslim identities long before 9/11.... I've heard it said that the second generation never asks the first about its story, but nearly all the essays in this book include long, intimate portrayals of Muslim family life, often going back generations. These young Muslims are constantly negotiating the differences between families for whom faith and culture were matters of honor and North America's youth culture, with its emphasis on questioning, exploring, and inventing one's own destiny."-from the Introduction by Eboo PatelIn Growing Up Muslim, Andrew Garrod and Robert Kilkenny present fourteen personal essays by college students of the Muslim faith who are themselves immigrants or are the children of immigrants to the United States. In their essays, the students grapple with matters of ethnicity, religious prejudice and misunderstanding, and what is termed Islamophobia. The fact of 9/11 and subsequent surveillance and suspicion of Islamic Americans (particularly those hailing from the Middle East and the Asian Subcontinent) have had a profound effect on these students, their families, and their communities of origin." -- Published by producer.

"Fourteen years old and growing up in the Middle East, Lamya is an overachiever and a class clown, qualities that help her hide in plain sight when she realizes she has a crush on her teacher--her female teacher. She's also fourteen when she reads a passage in Quran class about Maryam, known as the Virgin Mary in the Christian Bible, that changes everything. Lamya learns that Maryam was untempted by an angelically handsome man, and later, when told she is pregnant, insists no man has touched her. Could Maryam be... like Lamya? Spanning childhood to an elite college in the US and early adult life in New York City, each essay places Lamya's struggles and triumphs in the context of some of the most famous stories in the Quran. She juxtaposes her coming out with Musa liberating his people from the Pharoah; asks if Allah, who is neither male nor female, might instead be nonbinary; and, drawing strength from the faith and hope of Nuh building his ark, begins to build a life of her own--all the while discovering that her identity as a queer, immigrant devout Muslim is, in fact, the answer to her quest for safety and belonging"-- Provided by publisher.

"When Shelina Janmohamed, an Oxford-educated Muslim living in the bubbling ethnic mix of North London, opted for the traditional “arranged” route to finding a partner, she never suspected it would be the journey of her life. Through ten long years of matchmaking buxom aunties, countless mismatches, and outrageous dating disasters, Shelina discovers more about herself and her faith. Along the way, she learns that sometimes being true to her religion means challenging tradition, while readers learn much about Islam that may surprise them. " -- Provided by publisher.

"From age five, Sufiya Abdur-Rahman, the daughter of two Black Power-era converts to Islam, feels drawn to the faith even as her father, a devoted Muslim, introduces her to and, at the same time, distances her from it. He and her mother abandoned their Harlem mosque before she was born and divorced when she was twelve. Forced apart from her father--her portal into Islam--she yearns to reconnect with the religion and, through it, him. In Heir to the Crescent Moon, Abdur-Rahman's longing to comprehend her father's complicated relationship with Islam leads her first to recount her own history with it. Later, as she seeks to discover what both pulled her father to and pushed him from the mosque and her mother, Abdur-Rahman delves into the past. She journeys from the Christian righteousness of Adam Clayton Powell Jr.'s 1950s Harlem, through the Malcolm X-inspired college activism of the late 1960s, to the unfulfilled potential of the early-'70s' black American Muslim movement. When a painful reminder of the reason for her father's inconsistent ties to his former mosque appears to threaten his life, Abdur-Rahman's search nearly ends. She's forced to come to terms with her Muslim identity, and learns how events from generations past can reverberate through the present. Told, at times, with lighthearted humor or heartbreaking candor, Abdur-Rahman's story of adolescent Arabic lessons, fasting, and Muslim mosque, funeral, and eid services speaks to the challenges of bridging generational and cultural divides and what it takes to maintain family amidst personal and societal upheaval. Writing with quiet beauty but intellectual force about identity, community, violence, hope, despair, and faith, Abdur-Rahman weaves a vital tale about a family: black, Muslim, and distinctly American"-- Provided by publisher.

"Shahalimi has compiled the voices of 13 influential Afghan women who reflect on their country's past, their own upbringing, and their work to empower girls and women." -- Provided by publisher

"This enthralling story of the making of an American is also a timely meditation on religion and culture. Beginning with a sweetly funny, moving account of an arranged marriage in Pakistan that would become a love match lasting forty years, Threading My Prayer Rug is the story of many journeys: from Pakistan to America, from which her husband-to-be returned to wed and collect her while he completed his medical residency; from masters candidate to young bride and mother; from secular Muslim in an Islamic society to devout Muslim in a society ignorant of Islam; from liberal to conservative to American Muslim; and finally from Pakistani immigrant intending to stay for only a couple of years to an American of Pakistani origins, a successful businesswoman, grandmother, community leader who helped found a mosque, advocate for interfaith understanding, and cofounder of the New York chapter of a national organization. Threading My Prayer Rug is a richly textured reflection on what it is to be a Muslim in America today. It is also the revealing, always hopeful story of an immigrant's daily struggles, balancing assimilation with preserving heritage, overcoming religious barriers from within and distortions of Islam from without, and confronting issues of children growing up Muslim-while they lobby for a Christmas tree. Sabeeha Rehman was doing interfaith work for Imam Feisal Abdul Rauf, the driving force behind the Muslim community center at Ground Zero, when the backlash began, and she also offers an insider's account of that experience and what it showed about us"-- Provided by publisher."

"If the Oceans Were Ink is Carla Power's story of how she and her longtime friend Sheikh Mohammad Akram Nadwi found a way to confront ugly stereotypes and persistent misperceptions that were cleaving their communities. Their friendship -- between a secular American and a madrasa-trained sheikh -- had always seemed unlikely, but now they were frustrated and bewildered by the battles being fought in their names. Both knew that a close look at the Quran would reveal a faith that preached peace and not mass murder; respect for women and not oppression. And so they embarked on a yearlong journey through the controversial text. A journalist who grew up in the Midwest and the Middle East, Power offers her unique vantage point on the Quran's most provocative verses as she debates with Akram at cafes, family gatherings, and packed lecture halls, conversations filled with both good humor and powerful insights. Their story takes them to madrasas in India and pilgrimage sites in Mecca, as they encounter politicians and jihadis, feminist activists and conservative scholars." -- Provided by publishers.

"Growing up in New Jersey as the only African American Muslim at school, Ibtihaj Muhammad always had to find her own way. When she discovered fencing, a sport traditionally reserved for the wealthy, she had to defy expectations and make a place for herself in a sport she grew to love.
From winning state championships to three-time All-America selections at Duke University, Ibtihaj was poised for success, but the fencing community wasn't ready to welcome her with open arms just yet. As the only woman of color and the only religious minority on Team USA's saber fencing squad, Ibtihaj had to chart her own path to success and Olympic glory.
Proud is a moving coming-of-age story from one of the nation's most influential athletes and illustrates how she rose above it all."-- Provided by publisher.